The contents of JTD(vol. 5-6, 1999-2000) include:

Articles by:
• Avraham Oz, "Forbidden Perspectives and Appropriated Icons: Ephraim and the Crisis of Visibility"
  
• Erella Brown, "Between Literature and Theatre: Hanoch Levin and the Author's Function"
  
• Zvi Jagendorf, "Fawlty's Cloud-Capped Towers: The Tempest and the Comedy of Post-Imperial Depression"
  
• Michael Yogev, "'Music for Nothing': Shakespeare's and Mazursky's Tempests"
  
• Evelyn Gajowski, "Sigh no more, ladies, sigh no more": "Genesis Deconstructed in Kenneth Branagh's Much Ado about Nothing"
  
• Catherine Diamond, "The Redemption of Raquel, the Restoration of Leonor: Sexual Politics and Religious Controversy in Lope de Vega's Las paces de los reyes y jud’ade Toledo"
  
• Christopher Baugh, "Edward Gordon Craig and the Necessity of the Imagination"
  
• Ravit David: "The Loss of Hamlet's Aura in the Age of the Maschine: Reflections of the Passagen-Werk in Heiner Mueller's Work"
  
• Ahuva Belkin, Movement in the Commedia Dell'Arte: From Pre-verbality to Hyper-verbality
  
• Robert L. King, "Dramatic Worth: Rhetorical Ethos and Dramatic Theory"
  

  Review Articles:

• Martin Orkin, Theatre and the Inescapability of Histories: Memory-Theater and Postmodern Drama, by Jeanette R. Malkin
  

  Reviews:

• The Judaic Nature of Israeli Theatre, by Dan Urian, Reviewed by Erella Brown