Author Index of JTD(vol 1 , 1995 - vol 5/6, 1999-2000)

Articles:

• Baugh, Christopher, "English Scenography, Education, and the Public Purse"
  4:1998, 125-131

• ---, "Edward Gordon Craig and the Necessity of the Imagination"
  5/6:1999-2000, 149-70

• Baum, Rob K., "Utter Holiness: Sarah's Laughter and Judaic Performativity"
  4:1998, 37-53

• Belkin, Ahuva, "Joyous Disputation Around the Gallows: A Rediscovered Purim Play from Amsterdam"
  1:1995, 31-59

• ---, "Peregrinatio in the Market"
  3:1997, 7-15

• ---, "Movement in the Commedia Dell'Arte: From Pre-verbality to Hyper-verbality
  5/6:1999-2000, 185-96

• Boerth, Robert, "The Mediterranean and the Mediterranean world on the Stage of Marlowe and Shakespeare"
  2:1996, 35-58

• Brown, Erella, "The Lake of Seduction: Silence, Hysteria, and the Space of Feminist Theatre"
  2:1996, 175-200

• ---, "Between Literature and Theatre: Hanoch Levin and the Author's Function
  5/6:1999-2000, 23-57

• Bulman, James C., "On Being Unfaithful to Shakespeare: Miller, Marowitz, and Wesker"
  2:1996, 59-73

• Charney, Maurice, "Shakespeare's Hamlet in the Context of the Hebrew Bible"
  2:1996, 93-100

• ---, "Carribean Shakespeare: Aime Cesaire's Une Tempete"
  4:1998, 73-80

• David, Ravit: "The Loss of Hamlet's Aura in the Age of the Maschine: Reflections of the Passagen-Werk in Heiner Mueller's Work"
  5/6:1999-2000, 171-84

• Diamond, Catherine, "The Redemption of Raquel, the Restoration of Leonor: Sexual Politics and Religious Controversy in Lope de Vega's Las paces de los reyes y jud’ade Toledo"
  5/6:1999-2000, 127-47

• Feingold, Ben-Ami, "Historical Dramas on the Inquisition and Expulsion"
  1:1995, 9-30

• Flockemann, Miki, "White Men with Weapons, Black Women with Dresses: The TRC and Refashioning Myths of Identity"
  4:1998, 7-22

• Gajowski, Evelyn, "Sigh no more, ladies, sigh no more": "Genesis Deconstructed in Kenneth Branagh's Much Ado about Nothing"
  5/6:1999-2000, 101-26

• Geisler, Marc, "Collecting a National Voice: Shakespeare's Coriolanus and the People's Grievances"
  3:1997, 17-44

• Gilula, Dwora, "Nathan Alterman's Contribution to the Hebrew Stage"
  2:1996, 121-32

• Heizner, Zmira H., "Old-New Drama in the Jewish Land: Identity and Place in the Israeli Theatre"
  3:1997, 115-27

• Jagendorf, Zvi,"Fawlty's Cloud-Capped Towers: The Tempest and the Comedy of Post-Imperial Depression"
  5/6:1999-2000, 59-79

• King, Robert L., "Dramatic Worth: Rhetorical Ethos and Dramatic Theory"
  5/6:1999-2000, 197-214

• Kobialka, Michal, "Historical Events and the Historiography of Tourism"
  2:1996, 153-74

• Levin, Richard, "The Economics and Erotics of Cross-Class Dressing in Early Modern (formerly Renaissance) English Drama"
  3:1997, 93-101

• Levy, Shimon, "The voice of the brother's blood crieth unto me: A Comparative Study of Hebrew German Holocaust Radioplays"
  1:1995, 85-94

• --- and Nurit Yaari, "Theatrical Responses to Political Events: The Trojan War on the Israeli Stage during the Lebanon War, 1982-1984"
  4:1998, 99-123

• McJannet, Linda, "Mapping the Ottomans on the Renaissance Stage"
  2:1996, 9-34

• Neill, Michael, "Stripped to the Bone: The Nakedness of Death"
  3:1997, 83-91

• Noy, Kinneret, "In Debt to Noh: Four Intercultural Enounters"
  4:1998, 147-161

• Orkin, Martin, "Male Aristocracy and Chastity Always Meet: Proverbs and the Representation of Masculine Desire in As You Like It"
  3:1997, 59-81

• Oz, Avraham, "Dried Dreams and Bloody Subjects: Body Politics in the Theatre of Hanoch Levin"
  1:1995, 108-46

• ---, "Extending Within: Placing Self and Nation in the Epic of Cymbeline"
  4:1998, 81-97

• ---,"Forbidden Perspectives and Appropriated Icons: Ephraim and the Crisis of Visibility"
  5/6:1999-2000, 7-22

• Picker, John, "Revision and Transformation in Marowitz's Variations on "The Merchant of Venice" and Wesker's Shylock"
  2:1996, 75-91

• Rosenberg, Tiina, "The Touch of Opera: or, Can a Feminist Forgive Anything for a Good Tune?"
  4:1998, 23-36

• Shoham, Chaim, "A Biblical Play - Helping to Create a New Hebrew Culture (A Chapter in the History of Hebrew Theatre)"
  1:1995, 61-83

• Smith, Ian, "Those 'slippery customers': Rethinking Race in Titus Andronicus"
  3:1997, 45-58

• Snir, Reuven, "Palestinian Theatre as a Junction of Cultures: The Case of Samih al-Qasim's Qaraquash"
  2:1996, 101-20

• Suvin, Darko, "Deity vs. Warrior No Plays: Revelation, Not Conflict"
  2:1996, 133-51

• Tobi, Yosef, "Habiba Messica: A Star of Arab Theatre in Tunisia"
  3:1997, 129-46

• Vince, Ronald, "Industry or Mere Accident: The Making of a Theatrical Event"
  3:1997, 103-13

• Urian, Dan, "Genesis of 'The Arab Question' in the Hebrew Drama (1911-1948)"
  1:1995, 95-108

• Yogev, Michael, "Being There: Prospero's Place in The Tempest"
  4:1998, 55-71

• ---, "'Music for Nothing': Shakespeare's and Mazursky's Tempests
  5/6:1999-2000, 81-100

• Zahry-Levo, Yael, "The Riddling Map of Harold Pinter's Ashes to Ashes"
  4:1998, 133-46

  
  
  

  Review Articles:

• Orkin, Martin, Theatre and the Inescapability of Histories: Memory-Theater and Postmodern Drama, by Jeanette R. Malkin
  5/6:1999-2000, 215-29

  
  
  

  Reviews

  (arranged by authors or editors of books reviewed):

• Aronson, Alex, Shakespeare and the Ocular Proof (reviewed by Michael Yogev)
  2: 1996, 204-05

• Belkin, Ahuva (ed.), Leone de Sommi and the Performing Arts (reviewed by Freddie Rokem)
  3:1997, 150-51

• Ben Zvi, Linda, (ed.) Theatre in Israel (reviewed by Linda Marcus)
  2:1996, 201-03

• Levy, Shimon, Here, There, and Everywhere (reviewed by Glendyr Sacks)
  3:1997, 147-49

• Oz, Avraham, (ed.) Strands Afar Remote: Israeli Perspectives on Shakespeare (reviewed by Elliott Simon)
  4:1998, 163-68

• Urian, Dan, The Judaic Nature of Israeli Theatre (reviewed by Erella Brown)
  5/6:1999-2000, 231-36

Subject Index ofJTD(vol. 1 , 1995 - vol 5/6, 1999-2000)

under construction

al-Qasim, Samih, 2: 101-20.
As You Like It, 3: 59-81.

Biblical Plays, 1: 61-83.
Bristol, Michael, 5/6: 82.

Clivio, Gianrenzo, 5/6: 186.
Commedia dell'Arte, 5/6: 185-96.
Coriolanus, 3: 17-44.

Doyle, Patrick, 5/6: 121.

Eckardt, Thomas, 5/6: 174.
Erdman, Harley, 5/6: 146.

Fawlty Towers, 5/6: 59-79.

Gilman, Stephen, 5/6: 129,146..
Gosynhyll, Edward, 5/6: 105.

Hollywood, 5/6: 82.

Itzhaki, Tali, 5/6: 19.

Jackson, Russell, 5/6: 110.
Jameson, Fredric, 5/6: 8.

King Lear, 5/6: 207-08.

Laor, Itzhak, 5/6: 7-22.
Levin, Hanoch, 1: 108-46. 5/6: 25-57.

Macbeth, 5/6: 83; 208.
Mediterranean, 2: 9-34; 35-58.
Merchant of Venice, The, 2: 59-73; 75-91.
Messica, Habiba, 3: 129-46.
Much Ado About Nothing, 5/6 101-26.

Netanyahu, Ben Zion, 5/6: 146.

Ohel Theatre, 1: 61-83.
Orgel, Stephen, 5/6: 100.

Pinter, Harold, 4: 133-46.


Resnik, Etti, 5/6: 19.

Shakespeare, William, 2: 59-73; 75-91; 3: 17-44; 45-58; 59-81. 4: 81-97. 5/6: 59-79; 81-100; 101-26
Sontag, Susan, 5/6: 7-8.
Sturges, John, 5/6: 106.

Titus Andronicus, 3: 45-58.
Tynan, Kenneth, 5/6: 150.


Vega, Lope de, 5/6: 127-47.
Victoria and Albert Theatre Museum, london, 5/6: 149.

Walton, J. Michael, 5/6: 149.


Yarbro-Bejarano, Yvonne, 5/6: 147.

Zizek, Slavoj, 5/6: 18.

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